Featured New Films
Crossing Lines

“Crossing Lines” is about an Indian American woman’s struggle to stay connected to India after the loss of her father. Like most second-generation ethnic Americans, Indira Somani has struggled with identity issues, since her parents migrated to the U.S.
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34x25x36

34 x 25 x 36 is the third installment in a trilogy of films (including “The Guarantee” and the Sundance award-winning “Wet Dreams and False Images”) examining issues of body image from quirky and revealing angles. This time, we are taken into the inner wo
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Vietnam: The Secret Agent

Using striking archive and war footage in support of interviews with veterans, scientists, attorneys, the U.S. Air Force, the Veterans Administration, Dow Chemical and more; this film documents the extraordinary history of chemical warfare, agricultural h
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The New Old Country
How did Gus' Pickles, the abandoned Eldridge Street Synagogue and Sammy's kosher-style steakhouse become fixtures in American Jews' attachment to New York City's Lower East Side? The New Old Country follows the journey of American Jews who flock from across the country in search of their grandparents' stories about growing up in the neighborhood. Their tourist travels reveal an intricate web of nostalgia, collective memory and the elusive nature of recorded history.
The film explores the question of how nostalgia and memory diverge, by weaving together a variety of footage: tourists and Jewish youth groups who travel from across the country to take the Big Onion Walking Tour of the Lower East Side; elderly, mah jong-players whose banter about the good old days both celebrates and debunks various myths about the area's history; a three-generation family that has remained in the neighborhood despite a suburban exodus; and patrons of local eateries who connect their cultural identities to Jewish foods they believe are authentic only when consumed on the Lower East Side. Together with interviews with urban historians, these scenes create a rich visual essay which sparks discussion about the immigrant experience, the formation of cultural identity, and the acts of storytelling, remembering and writing history.
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"The New Old Country offers a fresh view on the Lower East Side. In examining the nostalgia and mythology surrounding the area, it reveals why this quintessential Jewish neighborhood has taken on such powerful meaning for so many generations. It is a wonderful film for teaching in American Studies, and anthropology classes because it raises important issues about memory, culture and identity." Riv-Ellen Prell, Professor of American Studies University of Minnesota
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About Faye Lederman |
Faye Lederman holds MJ/MA degrees in documentary film and Judaic Studies from UC Berkeley and NYU. Her independent films include Women of the Wall, The New Old Country and A Good Uplift. Faye was a field producer on Election Day (POV 2008) and is currently a consulting producer on Judith Hefand's Cooked (in production).
She has traveled extensively to self-distribute Women of the Wall and facilitate workshops for young women and girls using A Good Uplift. Her work has screened on PBS and in festivals, universities, museums, conferences and community/political organizations in the U.S., Europe and Africa.
She served on the steering committee of New Day Films, a cooperative of independent social issue media makers and is a member of the Jews, Religion and Media working group at NYU. She has taught at the School of Visual Arts and the Skirball Center for Adult Jewish Learning. Her work has received support from the National Foundation for Jewish Culture, the NY State Council on the Arts, the NY Foundation for the Arts and the Funding Exchange. She and her partner Jeremy Nacht are completing a project about organic farmers using still photography and audio recordings. |
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